Author: Kirsten

December 11, 2020 /

Thanks for a great semester 🙂 I have learned so much about film noir and what makes it unique to other types of films. I can say with confidence my goal of upgrading my film noir knowledge from basic to sufficient has definitely been reached. Here is the link to my final project website: https://thebigdebate464714954.wordpress.com/

November 18, 2020 /

This link will take you to the rough draft of my website (https://thebigdebate464714954.wordpress.com/). I still have a lot to do before it is finished, but I plan for each page to be a short essay over the topic. I have found more outside sources and am slowly adding them to my current research. Most ofContinue reading “Project Rough Draft”

November 5, 2020 /
November 3, 2020 /
October 26, 2020 /

Thesis and how I plan to format it Thesis For the final project, I aim to “answer” the question we were asked the first day of class: what is film noir? Is it a genre? Is it a style? By going back and looking at what we’ve learned this semester, as well as additional research,Continue reading “Project Outline”

October 21, 2020 /
October 6, 2020 /

For the video essay I am going to focus on the femme fatale. More specifically femme fatale’s depiction in classical film noir and neo noir. To accomplish this, I plan to research how women were portrayed within society in the 1920s-1950s (they heyday of classical film noir) versus the 2000s (neo noir). I believe byContinue reading “Phase I: Proposal”

October 1, 2020 /

Directed by Orson Welles Claustrophobia! Paranoia! Despair! Nihilism! The defining characteristics of film noir. How does a filmmaker show these in their films you ask? Through style and formal elements of course! Formal elements of photography include visual motifs. Visual motifs include low-key & high-key light, unromantic close ups, off angle compositions, and depth ofContinue reading “The Stranger (1946)”

September 22, 2020 /