| Image/Video | Script | Texts or effects on screen/Misc |
 | The phrase that art imitates life is commonly used, and widely accepted, but how would this apply to noir and as an extension neo-noir? | The still image will stay on screen slowly zooming in before cutting when done |
 | It’s no doubt that the despair of the great depression in the 30’s and 40’s rolled over into the themes of classic nior. We see characters struggling to get by in everyday life “in a world where there are no transcendental values or moral absolutes” (Porfiro 81). This often results in our main characters committing morally grey acts to achieve the life they want, as seen in Double Indemnity (1944). | The opening scenes of double indemnity play with the main character entering the house and talking to the love interest. When im done talking the clip will keep playing for a second, with the viewer hearing the main character talk about his insurance policies. Then fade to black |
 | Before the rise of the classic noir genre, the world was a very different place, with the law only seeming like a suggestion. Illegal bootlegging of alcohol was common and even public officials would visit speakeasies | The stock footage of a speakeasy in the us will be playing in the background, I will also overlay light piano music over the people dancing |
 | Overall art does imitate life, and this is easy to see with the classic noir when we look at historical events leading up to the creation of genre. It’s easy to see how the hard economic state of the great depression lends itself to the dark and existential themes of the noir and why the American people had such Grimm themes on their minds. | The fight with uncle joe from touch of evil plays, the ending of the script lines up with uncle joe being chocked and the narrator states the the last few words |
 | The Prohibition set the stage for the gangsters and mob bosses to gain control that we so often see in noir films. | The image is zoomed in slowly as i talk |
Black screen  | These two major historical events influenced the themes of noir all with the backdrop of urbanization and the “labyrinth” of the city as Christopher would put it. | The following images scroll |
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 | While it may be easy to apply this historical logic to classic noir films, to understand it for the niche neo-noirs created today we have to take a deeper dive. | Still image slowly zoomed in |
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 | In country noir we often see many of the major themes of classic noir, but why might this be when the historical context is completely different? When we take a closer look we will find that it’s no as different as we think | The clip stops when the main character of “a single shot” shots his gun. With the gunshot playing after the narrator for dramatic effect. |
 | Country noir often takes place in rural settings with the city of classic noir starkly contrasting. | The image starts zoomed in on the characters from winter bone and slowly zooms out to reveal the huge forest behind them. |
 | Christopher states on page 4 ” Out of the Past is an oddity in that much of its narrative is constructed of nonurbanflashbacks” , and these flashbacks depict rural America with rose-tinted glasses, but how might this help us in defining the setting of country noir? | Another still image slowly zoomed in. |
 | In classic noir urbanization and the city has corrupted the characters and we see many mob bosses and gangsters as a result of this thus the city is depicted in a negative light. | A clip from out of the past plays with the characters moving around and talking |
 | We see the same themes in country noir, but it isn’t the city corrupting the characters, but the rural setting. The lawlessness of rural American is often a common theme in country noirs. | A clip from wind river plays with the main character disregarding the man in the snow |
 | In Winters Bone the main character’s main motivation is money, trying to track down her father so their family can keep the house. This is all the fault of her father who was previously arrested.(pause) The sprawling city of the classic noir corrupts characters the same way the rural setting of country noir does. The corrupted characters in country noir aren’t gangsters, but normal people who have had their character lost to the natural landscape of rural America just trying to make ends meet. Now lets look at why this might be. | The clip plays from winters bone with the whole family. Narration continues and pasues for the character to explain them needing money after i state it. |
 | Rural America in contemporary times lends itself to the themes of noir somewhat easily. With many factory jobs and other employment opportunities leaving the country or being completely automated. | Infographic shows decline in manufacturing employees in america |
  | The dynamic between the country and city is completely flipped on its head in rural noir. The city is often seen as full of opportunity, while the rural settings they inhabit our depicted as a husk of the past As seen from the filming set in no country for old men. More recent urbanization in America has led to this and created the perfect world that “emphasizes life’s meaninglessness and man’s alienation its catch~words include “nothingness,” “sickness” “illness,” “dread,” (Porfiro 81). | Montage of no country for old men setting plays |
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It looks like the url at the top just links back to this blog post…